Spirit collection
Whiskey Cocktails
Whiskey cocktails split into two great families: the stirred, spirit-forward line (Old Fashioned, Manhattan, Sazerac) and the shaken sours (Whiskey Sour, Gold Rush, Penicillin). Learn one from each and you can read every other recipe on this page.

Bourbon plays rounder and sweeter; rye drier and spicier; Scotch brings smoke. Most recipes here work with any of them — the drink just changes its accent.

Whiskey Sour
The whiskey sour is bourbon, lemon and sugar — the template every “sour” cocktail is built on. This is the classic no-egg version: bright, balanced, and ready in two minutes.
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Old Fashioned
The Old Fashioned is the original cocktail: good bourbon, a little sugar, a couple of dashes of bitters and a big cube of ice. Nothing hides — so use a whiskey you actually like.
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Boulevardier
A Negroni that swapped gin for bourbon — warmer, richer and just as bitter-sweet. Campari and sweet vermouth do the rest.
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Manhattan
Rye whiskey, sweet vermouth and a couple of dashes of bitters, served up with a cherry. The definitive whiskey cocktail — purists stir it, but a hard shake chills it just as cold.
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Rob Roy
A Manhattan made with Scotch — smoky, malty and a little softer. Sweet vermouth and bitters round it out.
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Brooklyn
A drier cousin of the Manhattan from the borough itself: rye, dry vermouth, a little maraschino and a bitter amaro. Sharp and grown-up.
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Vieux Carré
New Orleans in a glass: rye and cognac with sweet vermouth, Bénédictine and two kinds of bitters. Deep, spiced and utterly complex.
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Sazerac
The pride of New Orleans: rye and Peychaud’s bitters in an absinthe-rinsed glass, no ice, lemon oils on top. Aromatic, dry and dangerously smooth.
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Paper Plane
A modern equal-parts classic: bourbon, Aperol, amaro and lemon. Bitter, bright and beautifully balanced.
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Penicillin
Blended Scotch, lemon, honey and fresh ginger, with a smoky single-malt float. A modern classic that tastes like a cure.
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Gold Rush
A whiskey Bee’s Knees: bourbon, lemon and honey over a big cube. Three ingredients, silky texture, hard to beat.
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Amaretto Sour
Done right — with a shot of bourbon and egg white for backbone — the Amaretto Sour is nutty, tart and grown-up, not the syrupy version you remember.
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New York Sour
A whiskey sour crowned with a float of red wine that bleeds down through the drink. As beautiful as it is delicious.
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Mint Julep
The drink of the Kentucky Derby: bourbon and sugar over a mountain of crushed ice, perfumed with fresh mint. Cold, aromatic and Southern to the core.
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Whiskey Smash
A bourbon sour crossed with a julep: lemon and mint muddled with sugar, lengthened with whiskey. Bright, herbal and refreshing.
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Godfather
Scotch and amaretto over ice — two ingredients, nutty and smooth. An offer you can’t refuse.
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Rusty Nail
Scotch sweetened with honeyed Drambuie over ice. Warming, herbal and old-school.
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Old Pal
A drier, whiskey-based cousin of the Negroni: rye, dry vermouth and Campari in equal parts.
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Toronto
An Old Fashioned with a bitter Fernet backbone — rye, a little sugar and bitters, stirred over ice.
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Bobby Burns
A Scotch Manhattan with a herbal Bénédictine lift — malty, honeyed and warming.
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Blood and Sand
One of the few classics built on Scotch: whisky, sweet vermouth, cherry and orange in equal measure. Named for a bullfighting film.
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Red Hook
A Brooklyn variation from the modern craft era: rye, sweet vermouth and a touch of maraschino. Rich and cherry-scented.
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Little Italy
A Manhattan with an amaro twist — rye and sweet vermouth deepened with bitter Italian amaro.
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Greenpoint
A Brooklyn cousin with yellow Chartreuse: rye, sweet vermouth and herbal liqueur with a double hit of bitters.
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John Collins
The Tom Collins’ whiskey brother: bourbon, lemon and sugar shaken and lengthened with soda. Tall and refreshing.
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Whiskey Highball
Whisky and soda (or ginger ale) over plenty of ice — the most elegant simple drink there is. All about cold and fizz.
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Presbyterian
Bourbon lengthened with equal parts ginger ale and soda — a lightly spicy, low-key highball.
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Horse’s Neck
Bourbon and ginger ale with a long spiral of lemon peel and a dash of bitters — a spicy, old-school cooler.
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Kentucky Mule
A Moscow Mule with bourbon: whiskey, lime and spicy ginger beer over ice in a frosty mug.
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Ward 8
A Boston sour with a political past: rye with lemon, orange and a little grenadine. Bright and rosy.
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Scofflaw
Dry vermouth is the part people skip, and it's the part that makes this work. It cuts the sugar out of a whiskey sour and leaves something leaner and more savory, with grenadine there for color and a thin line of fruit rather than sweetness.
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Brown Derby
A Hollywood classic: bourbon, grapefruit and honey, shaken up. Tart, floral and beautifully balanced.
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Perfect Manhattan
A Manhattan split between sweet and dry vermouth — a touch drier and more aromatic than the original.
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Lynchburg Lemonade
Lynchburg is the Tennessee town where Jack Daniel's is distilled, which tells you what whiskey the drink was built around. Bourbon works fine. What matters more is keeping the soda to about twice the whiskey, or it stops tasting like whiskey at all.
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Whiskey Ginger
Two ingredients means the ginger ale is doing half the work, so buy one with actual bite. The dusty supermarket stuff turns this into sweet brown soda. A dry ginger ale leaves the bourbon's vanilla and baking spice sitting right on top.
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Final Ward
A Last Word made with whiskey and lemon — equal parts rye, green Chartreuse, maraschino and lemon. Bold and herbal.
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Seelbach
Bourbon and orange liqueur with a startling number of bitters, topped with champagne. Rich, spiced and sparkling.
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Remember the Maine
Absinthe never really gets into this one. It coats the glass and gets poured out, leaving a smell that meets you before the rye does. Underneath, sweet vermouth and a small pour of raspberry liqueur turn the whole thing dark and faintly jammy.
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Black Manhattan
A Manhattan with amaro standing in for the vermouth — darker, bittersweet and coffee-edged. A modern bartender favourite.
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De La Louisiane
A rich New Orleans classic: rye, sweet vermouth and Bénédictine with a whisper of absinthe. Deep and spiced.
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Diamondback
Three ingredients, no citrus, no mercy. Rye, apple brandy and yellow Chartreuse stacked two to one to one, which reads harmless on paper until you notice that nothing in the glass is under 40 percent.
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Fancy Free
Swap the sugar cube in an Old Fashioned for 15 ml of maraschino and this is roughly where you land. Bourbon with dry cherry stone behind it, Angostura and orange bitters keeping the liqueur honest, and no citrus anywhere.
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Algonquin
Pineapple juice in a whiskey drink sounds like a bad idea. Three quarters of an ounce of it against rye and dry vermouth barely reads as fruit at all, more as a softening that takes the hard edge off the vermouth and leaves the whiskey exactly where it was.
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Kentucky Colonel
Two ingredients at four to one, Bénédictine laying honey and dried herbs over bourbon's vanilla and corn, with nothing else in the glass to soften the landing.
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Preakness
Barely a teaspoon of Bénédictine separates this from a Manhattan, and it turns out to be enough. Eight ml of honeyed herbs arrives late, after the rye and the sweet vermouth have made their case, changing what the finish tastes like without touching the shape of the drink.
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Cameron's Kick
An unusual all-whisky sour: Scotch and Irish whiskey with lemon and nutty orgeat. Smoky, soft and completely charming.
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Boston Sour
A whiskey sour with egg white shaken in — the same sharp balance under a silky, foamy crown.
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Millionaire
Grand Marnier does the heavy lifting: orange and cognac stacked on bourbon, with lemon keeping it from going syrupy. Egg white makes it silk. The grenadine is barely there at 8 ml, in for color and a whisper of fruit.
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Prince of Wales
Rye, a bar spoon of maraschino, bitters, and champagne over the top. It drinks like an Old Fashioned in a dinner jacket, the whiskey still doing the talking under the bubbles.
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Improved Whiskey Cocktail
An Old Fashioned dressed up with maraschino and a whisper of absinthe — the 19th-century “improved” template. Deep and aromatic.
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Frisco
Eight milliliters of lemon is not enough to make a sour, and this isn't trying to be one. Bénédictine's honey and dried herbs sit right on top of the rye's pepper, and the citrus is there to stop the whole thing going sticky.
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Fanciulli
Fernet Branca takes the place of Angostura in an otherwise standard Manhattan, and 8 ml of it changes far more than a couple of dashes ever would. Menthol, saffron and bitter root run right through the sweet vermouth and out the other side.
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Emerald
An Irish Manhattan: Irish whiskey with sweet vermouth and bitters, stirred down. Softer and greener than its rye cousin.
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Tipperary
Green Chartreuse at 15 ml isn't a modifier, it's a co-star, and this is one of very few whiskey drinks that lets it be one. Irish whiskey and sweet vermouth underneath, a hundred and thirty-odd botanicals over the top, and no room for a careless pour.
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Cablegram
Take a Whiskey Sour, pour it over ice in a tall glass and top it with ginger ale. Bourbon's corn sweetness lands against the ginger's dry burn, and the lemon keeps the whole thing from collapsing into soda pop.
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Bourbon Renewal
Jeffrey Morgenthaler’s modern classic: a bourbon sour deepened with blackcurrant liqueur. Tart, dark-fruited and moreish.
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Whiskey Daisy
Bourbon's corn sweetness meets lemon head-on here, with grenadine and a little orange liqueur filling the gap between them. Daisies were a bar standard in the 1870s, half a century before anyone thought to call the tequila one a Margarita.
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Trinidad Sour
The cocktail that made bitters a base spirit: a whole pour of Angostura balanced by nutty orgeat, lemon and a little rye. Deep red and utterly unique.
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Mamie Taylor
Ginger ale, not ginger beer — that's what separates this from every mule that followed. Blended scotch, a squeeze of lime, plenty of bubbles, and the malt sitting under the spice instead of fighting it.
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Affinity
A Scotch “perfect” Rob Roy: whisky split evenly between sweet and dry vermouth, with a dash of bitters. Smoky, round and balanced.
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Blinker
A tart, forgotten gem: rye shaken with grapefruit juice and a little grenadine. Sharp, pink and grown-up.
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Commodore
Grenadine instead of sugar syrup, which is the whole trick. It gives a rye sour a rose color and a faint tannic grip, with orange bitters sharpening the lemon.
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Ink Street
Sugar doesn't come into it. Orange juice is the only sweetness, split evenly with lemon over 45 ml of rye, which means the drink is only ever as good as the fruit you squeeze.
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Suburban
Three brown spirits in one glass, and the port is what you notice first. Rye brings the spice, dark rum the molasses, ruby port the dried fruit underneath. Heavy and wine-dark, built on ice and meant to be worked through slowly.
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Klondike Cooler
Ginger ale does most of the work here, stretching 45 ml of rye across a tall glass with just enough orange juice to take the edge off. Spicy and light, the kind of thing you keep drinking on a warm afternoon.
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Waldorf
Anise is the whole difference here. Take a Manhattan, add a single dash of absinthe, and the drink turns darker and slightly medicinal without the rye losing any ground. Sweet vermouth and Angostura hold their usual places.
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Blackthorn
Equal measures of Irish whiskey and dry vermouth put this much closer to a Martini than to anything in the Manhattan family. Angostura and a dash of absinthe do all the seasoning. Malt and dried herbs, dry the whole way through.
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Opening
Grenadine stands where the bitters usually go, which makes this the gentlest drink in the Manhattan family. Pomegranate sweetness arrives first, rye shows through by the finish, and nothing anywhere is sharp.
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Bensonhurst
A Brooklyn cousin from the borough’s neighbourhoods: rye with dry vermouth, maraschino and a whisper of amaro. Dry, complex and bar-nerd approved.
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Bourbon Milk Punch
A New Orleans brunch soother: bourbon, milk and sugar shaken cold and dusted with nutmeg. Creamy, gentle and restorative.
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Whiskey Cobbler
Bourbon over a heap of crushed ice with orange and a little sugar, which is the entire recipe. It drinks like an Old Fashioned that spent the afternoon outdoors, colder and much less serious about itself.
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Georgia Mint Julep
A Southern julep with a peach accent: bourbon and peach liqueur muddled with mint over a snowdrift of crushed ice.
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Reverse Manhattan
A Manhattan flipped: vermouth leads and whiskey supports, for a lower-proof, aromatic sipper that’s all about the wine.
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Chancellor
A robust Scotch sipper: whisky with ruby port and a little dry vermouth, stirred down with bitters. Rich, dark and warming.
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Whiskey Peach Smash
A summer smash with a peach note: bourbon and peach liqueur muddled with mint and lemon over crushed ice.
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New Orleans Buck
Bourbon with orange and lime under it and ginger ale over the top. Juicier than a whiskey and ginger, softer than a Mule. One dash of Angostura is what keeps it from reading as a soft drink with whiskey in it.
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Bourbon Crusta
Sugar around the rim, a short pour of lemon, and two liqueurs measured in single milliliters. Fussy to build for something that goes down in three sips. Worth it for the first one, which arrives through the sugar.
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Hunter
Sixty milliliters of rye against 15 of raspberry liqueur is four to one, which is why the fruit shows up as a dark edge on the whiskey rather than as anything you would call sweet.
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Thistle
Scotch and sweet vermouth in equal measure, which is twice the vermouth a Rob Roy carries, and it shows. Sweeter and more herbal than you expect, with the malt sitting well back and two dashes of Angostura the only thing pulling the other way.
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Scotch Old Fashioned
The Old Fashioned formula on Scotch: whisky, a little sugar and bitters over a big cube. Smoky where bourbon is sweet.
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Irish Old Fashioned
Softer than the bourbon version and much softer than the scotch one. Irish whiskey brings grain sweetness and orchard fruit rather than vanilla or smoke, so the sugar can stay minimal — a bar spoon is plenty before the whiskey starts tasting like dessert.
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Monte Carlo
An Old Fashioned with Bénédictine in place of sugar: rye, herbal-sweet liqueur and bitters, stirred down. Rich and aromatic.
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Oriental
Lime is the odd element here, and the one that makes it work. Rye and sweet vermouth alone would be a Manhattan going soft; the acid and the orange liqueur pull the whole thing upright and give it a snap.
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Rattlesnake
Absinthe is the whole trick. Under the foam this is a plain rye sour running slightly short on sugar, until the anise arrives late and spreads itself across the finish.
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Palmer
No sugar anywhere in this one, which is the point and also the risk. Eight milliliters of lemon and a couple of dashes of bitters against a full measure of rye, so the whiskey has nowhere to hide. Pour something you would drink neat.
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Scotch Sour
The whiskey sour made with Scotch: whisky, lemon and sugar shaken cold. Smoke and citrus in easy balance.
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Irish Whiskey Sour
Grain sweetness instead of rye pepper, and no smoke at all. The lemon has less to fight here, so the drink comes out rounder and easier than a bourbon sour, which makes it the one to hand somebody who says they don't like whiskey.
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Scotch and Soda
The plainest of pleasures: good Scotch stretched with soda over ice. The point is the whisky — so pour one you like.
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